"We pushed the whole apartment into two walls so the middle could stay open. Like an understory — the life happens in the clear part, close to the ground, close to the garden."— Luis Boza · On folding a home into its edges
The owners' jobs take them out of the city for months at a time. Ready to downsize, they made an unusual call: rather than sell or move, they would move down.
The basement of their single-family row house would become their residence; the two floors above would become rental income while they traveled. The brief was to make a full life fit below grade without it ever feeling like a basement.
The basement was opened end to end and connected to the existing backyard. Everything a home needs — a king-size Murphy bed, the refrigerator, storage closets, the full kitchen — was built into two continuous walls of Red Oak that run the length of the space. With the program tucked into the edges, the center stays clear: one open floor that reads as office by day and bedroom by night.
A wall of glass at the rear dissolves the line between inside and garden, where mature trees throw a moving canopy of shade. Polished concrete grounds the room in cool gray, and the original party-wall brick was left exposed to warm against the oak. A run of deep-blue backsplash tile carries the one note of color. Above the range, a high clerestory window borrows daylight and passes it through to the windowless bathroom behind.
With the bed up and the cabinets closed, the home reads as a calm, light-filled room that opens onto a private garden — not a basement, and not a compromise. Upstairs, the house earns its keep while its owners are away.
In a forest, the understory is the living layer beneath the canopy — quieter than the floors above it, and the closest one to the ground you can actually walk on. This home is its own understory: tucked below, open to the garden, the part of the house where the life actually happens.